Earlier today, an Australian TV spot for The New Mutants was shared online which seemingly confirmed a September 4 debut on Disney+. Soon after, Disney denied that it was real, and many fans have since pointed out that the studio did the exact same thing when promo art for Solo: A Star Wars Story leaked. That was also dubbed “fake,” and later adorned toy packaging across the globe.

That’s not the only evidence to have seemingly debunked Disney’s claims; as Trailer-Track Editor-in-Chief Anton Volkov points out, the TV spot includes footage which has not been seen before.

It begins with an alternate line of dialogue before a new shot of Danielle Moonstar can be seen at 00:16. Demon Bear then smashes through a wall at 00:17, while the shot of the team in rubble at 00:19 is also new, as is another glimpse of Mirage at 00:22. That’s an awful lot for a “fake” TV spot, but many fans believe the Disney+ branding is what’s been added after the fact.

Reddit user Rman823 notes that the fan who posted it on Reddit “just so happens to create fan trailers and use Adobe After Effects,” so he could be trolling everyone with the Disney+ title cards. 

Even so, Disney also denied that Artemis Fowl was being released on their streaming platform, and we know how that turned out. If the Marvel move is being moved to Disney+, an official announcement will be made at Comic-Con@Home.

Click HERE for more The New Mutants news from CBM!
 

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Marvel Comics is giving the Fantastic Four an overhaul for the team’s upcoming issue #25, which is being billed as a “new era” for Marvel’s First Family. Former Amazing Spider-Man writer Dan Slott is remaining on board as the title’s writer, but he’s going to be joined by Powers of X artist RB Silva. 

Since returning to the Marvel Universe, the heroes have worn black uniforms with blue accents, but these new costumes – which are showcased on a cover by Mark Brooks – are far more traditional. 

The solicitation text for Fantastic Four #25 promises that, “This issue has it all: New artist! New villains! New uniforms! And a new, major, permanent status quo change for Marvel’s First Family! All this and an appearance by DOCTOR DOOM! One of the most important characters in the entire cosmos…returns from the dead! And a major turning point in the history of the FANTASTIC FOUR! Great entry point for readers!”

Looking at the cover, it appears as if Empyre: Fantastic Four #0‘s young Kree Jo-Venn and young Skrull N’Kalla will be joining the team on their adventures once that crossover reaches its conclusion.

Slott’s Fantastic Four run has drawn mixed reviews, but he’s done an effective job of reimagining the team after they were shelved by Marvel Comics. Plus, for many comic book readers out there, it will just be a treat to see Reed, Sue, Johnny, and Ben back in their classic comic book costumes. 

Click HERE for more Marvel Comics news from CBM!
 

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It’s been known for some time now that The Flash movie will borrow a number of story elements from the Flashpoint comic book, though one major change has already been made. That’s the decision to have Barry Allen arrive in a new timeline where Michael Keaton’s Bruce Wayne is still Batman (replacing the Thomas Wayne version of the vigilante from the source material). 

If a new rumor shared by Heroic Hollywood is to be believed, there won’t be a war between the Atlanteans and Amazons, either. That points to a very different take on this story, and potentially debunks previous reports of cameos from Jason Momoa’s Aquaman and Gal Gadot’s Wonder Woman.

As well as meeting a different version of Batman in the alternate timeline he creates after racing back in time to save his mother from the Reverse-Flash, the comic book Flashpoint revealed that Earth had been ravaged by a war between the two Justice League members and their respective nations.

That might have been a little too much for The Flash to include, but a lot of fans out there are sure to be disappointed that another major part of the source material will not be featured in this film. That doesn’t mean we shouldn’t be excited, however, and more details will hopefully be revealed soon.

Click HERE for more The Flash news from CBM!

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One of the most talked about franchises in Hollywood at the moment is X-Men. With Phase 3 of the Marvel Cinematic Universe behind us and veteran actors Robert Downey Jr., Scarlett Johansson, and Chris Evans saying goodbye, many actors are stepping up to make their interest in the franchise known, hoping to become involved with the massive IP.

We recently spoke with Dante Basco who is known for voicing Prince Zuko in Avatar: The Last Airbender and his portrayal of Rufio alongside Robin Williams in Stevn Spielberg’s Hook in order to help promote his involvement in Twitch’s interactive and scripted sci-fi series Artificial: Remote Intelligence. Of course it wouldn’t be an episode of the Inner Child Podcast if we didn’t get in touch with our guests inner child, so we asked Basco what roles he’d like to play in DC and Marvel, respectively.

Having spoken with Dante back in July we were already savvy to his want to play Robin, the Boy Wonder, so we shifted our focus to Marvel this time around. We learned that Basco is extremely interested in being a part of the MCU’s iteration of the X-Men, and he even mentioned that he’d like to play Nightcrawler!

Check out the comments for yourself below, and if you’d rather listen the audio as you read along, scroll down and click play on the Podcast link!

Joe: Thanks for speaking with me again so soon! I had the pleasure of breaking the announcement for your involvement with Twitch’s Artificial, which is exciting!

Dante Basco: Of course, man, it’s awesome, thanks for having me.

Joe: I know we spoke a bit before in the past and I remember you had mentioned that you’d really like to play Robin, the Boy Wonder.

Dante Basco: Yeah, definitely!

Joe: Well, I was wondering what other dream roles you have?

Dante Basco: You know I’d love to voice or act in X-Men. Being a person of color growing up, the stories always rang true to me that mutants aren’t outcasts but instead to focus on what makes them special.

Something in the X-Men world would be great. I was a big fan of Wolverine, of course, like everybody else. But I’m also a big fan of Nightcrawler. I love seeing the different iterations and I’m curious to see what happens now that Disney bought FOX and they got the IP back.

Joe: I’m definitely excited to see Nightcrawler, Colossus, and everyone else in the MCU. Do you feel like you usually get cast in hothead roles though, like Pyro? Like with Rufio and Prince Zuko?

Dante Basco: You know, I’ve had all kinds of roles over the last thirty years. Not necessarily, but I guess I do kind of get cast as the hotheads sometimes like with Rufio and with Zuko. I’m usually cast as like the rival of the main character or a sort of bad boy character.

Joe: Is there anything else you’d like to share with our audience?

Dante Basco: Just that I’m excited for Artificial, you know? And I have a Let’s Watch of Avatar: The Last Avatar every Friday at 3:00 pm PST to help raise money for COVID relief. Hopefully my first project with The Filipino Brothers will be out in the fourth quarter of this year. We also have some things in the works for the Rufio prequel, so hopefully we’re able to get that off the ground. I also have my memoir which is From Rufio to Zuko, and once COVID restrictions clear up I’ll be touring for that.

What do you guys think of these comments from Prince Zuko voice actor Dante Basco? Do you think he would be good for Nightcrawler, or would you rather see him as another mutant in the Marvel Cinematic Universe?

If you want to hear the audio component of this interview, check out the podcast episode below and make sure you share your thoughts with us in the comments section!

Every story has a beginning. Elle, Sebastian, Ruby, and Justin begin the new journey of the AI to be named. Catch up on the story, and jump in.

Artificial is a Live and Interactive Science Fiction series where the audience changes the story. It is the first original sci-fi series on Twitch and was the winner of the 2019 Primetime Emmy Award for Innovation in Interactive Media.

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