The Hollywood Reporter has learned that Netflix is in the very early stages of adapting Ubisoft’s cult classic video game Beyond Good & Evil as a full-length feature film and they’ve just found a director in Rob Letterman (Detective Pikachu; Goosebumps). 

No writers are currently attached, so it may be a while before it gets off the ground, but like Letterman’s previous directorial ventures, Beyond Good & Evil will be a hybrid live-action/animated feature.

Beyond Good & Evil takes place in the 25th century on a remote mining planet that is under alien attack. The military rulers that promised to defend the population may be in league with the invaders. In this environment, a young photojournalist named Jade is recruited to be part of an underground resistance movement.

The original game was released in 2003 and was widely considered a failure at the time of release, with plans for a trilogy ultimately abandoned. However, it managed to garner a cult following in the years since and after years of clamoring, Ubisoft finally announced that a prequel game was in development back in 2017. 

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It’s sure starting to look like Spyglass Media Group and Paramount’s upcoming Scream “reboot” may actually be the sequel we’ve all been waiting for as Deadline has learned that legacy cast member Courteney Cox (Friends; Cougar Town) has signed on to reprise her role as news reporter Gale Weather in the yet-to-be-titled fifth entry. 

She joins fellow original cast member David Arquette (Sheriff Dewey Riley), who joined the cast back earlier this summer. No word yet on franchise leading lady Neve Campbell, but last we heard, she was also in preliminary talks back in May, so it’s probably a safe bet that’ll she come onboard sooner than later. 

Ready or Not directors Matthew Bettinelli-Olpin and Tyler Gillett are set to helm the new film, with a screenplay from James Vanderbilt (Zodiac; The Amazing Spider-Man) and Guy Busick (Ready or Not; Castle Rock).

In a statement, the Radio Silence filmmaking group said, “We can’t imagine Scream without the iconic Gale Weathers and are so incredibly thrilled and humbled to have the opportunity to work with Courteney. We’re absolute mega fans of her work and we’re so excited to join her in the next chapter of the Scream saga!”

Production is slated to begin later this year in Wilmington, NC, albeit when proper safety protocols are established, with a 2021 release date in mind. 

The first four extremely successful films were all directed by horror legend Wes Craven with Kevin Williamson writing three of them, including the game-changing first installment, and starred Neve Campbell in the lead role as Sidney Prescott with Courteney Cox and David Arquette also appearing in every movie.

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The Arrowverse is often considered one of the crowning achievements of the CW, and is highly regarded when it comes to DC television programs in general. Starting with Arrow, the universe rapidly expanded over the years to include the likes of The Flash, Supergirl, Legends of Tomorrow, Constantine, Black Lightning, Batwoman, and the upcoming Superman and Lois and Green Arrow & the Canaries.

We recently spoke with one of the creators of the Arrowverse, who has been imprinting his creative fingerprint on the comic book television industry, Marc Guggenheim. When chatting with the executive producer/director/screenwriter in support of Tales of Arcadia: Wizards, we couldn’t help but ask a few questions about Crisis on Infinite Earths, Legends of Tomorrow, and Arrow.

Marc dishes on the death of Oliver Queen and whose decision it was, the tone of the series and Oliver’s journey, and bringing the show to an end. As always, if you’re interested in hearing the audio component of this interview, click play on the podcast player below. We chat about Arrow around 16:00. 

Literary Joe: Was Oliver’s fate your decision? I know Arrow is significant to you as it started it all. So, is that something that came from you, or is it something you had to learn to deal with?

Marc Guggenheim: I, from the jump, was always advocating for Oliver to die. And the reason for that is that if you look at who Oliver Queen is a person when you meet him in the pilot, he’s this spoiled jerk before he gets marooned on Lian Yu.

But even when he comes back from those five years in hell, he’s the equivalent of a serial killer, especially in the first season.

And I’ve always felt that the amount of blood he has on his hands has to be repaid with his blood ultimately. And it never really occurred to me that his story should end any other way.

Now, the original plan was that I always assumed he would die in the last episode of the show. But once we knew that Crisis on Infinite Earths was lining up with Arrow’s final season, we changed some things.

Literary Joe: Right, it kind of worked out perfectly.

Marc Guggenheim: I think so. I know that there’s a lot of fans who feel like Oliver deserved a happy ending. And I would say, for my money, that we gave him the Arrow version of one.

Arrow has always been a dark show, and I think the show has sort of thrived in its darkness. And that’s one of the reasons why the idea that he would get a traditional happy ending, where he gets to run off into the sunset with his wife, and his daughter felt in congruence with the tone of the show.

Literary Joe: Definitely, and I think that from a character standpoint and from Oliver’s point of view, I definitely think that the ending that he got is the ending that he’s always expected he was going to line up based on all the choices in his life and based on everything that’s led to this point.

Marc Guggenheim: Yeah, absolutely.

*This interview has been edited for clarity.*

What do you think of Guggenheim’s comments regarding Crisis on Infinite Earths? Did you enjoy the mega-crossover event?

Check out the trailers for Crisis on Infinite Earths as well as his upcoming project with Guillermo del Toro (Pan’s Labyrinth), Tales of Arcadia: Wizards, and be sure to share your thoughts in the usual spot!

Join our favorite supernatural heroes on a time-bending adventure to medieval Camelot. The magic continues the final chapter of the Tales of Arcadia saga, Wizards.

Tales of Arcadia: Wizards hits Netflix on August 7th.

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Warner Bros. Home Entertainment has officially announced that their upcoming DC Showcase, Batman: Death in the Family, will arrive on Blu-ray, DVD and Digital HD on October 13.

Batman: Death in the Family will be the first interactive film in WBHE’s entire history of animated films and will be just one of five tales to be included on the set. The others are the previously released Sgt. Rock, Adam Strange, Death, and The Phantom Stranger.

In addition to the fully-interactive, extended-length Batman: Death in the Family film, the digital release will also include the film in a non-interactive format, essentially a pre-assembled standard version of the film, titled Under the Red Hood: Reloaded which will likely be the most accurate retelling of the story.

Three other non-interactive versions of the film – Jason Todd’s Rebellion, Robin’s Revenge and Red Hood’s Reckoning – will also be included as bonus features, giving you the story as you’ve never seen it before. The Blu-ray will also contain five minutes of exclusive story content that won’t be available on the Digital release.

INTERACTIVE STORYTELLING ALLOWS VIEWERS
TO CHOOSE & CHANGE DIRECTIONS OF THE STORY
IN RETELLING OF LANDMARK DC COMICS EVENT

DC SHOWCASE
BATMAN: DEATH IN THE FAMILY

WARNER BROS. HOME ENTERTAINMENT AND DC PRESENT
COMPILATION OF 2019-2020 ANIMATED SHORTS
COMING OCTOBER 13, 2020 TO BLU-RAY™ & DIGITAL

NEW COLLECTION INCLUDES ACCLAIMED TITLES SGT. ROCK,
ADAM STRANGE, DEATH and THE PHANTOM STRANGER

BURBANK, CA (July 30, 2020) – Five fascinating tales from the iconic DC canon, including the first interactive film presentation in Warner Bros. Home Entertainment (WBHE) history, come to animated life in DC Showcase – Batman: Death in the Family. Produced by Warner Bros. Animation and DC, the anthology of 2019-2020 animated shorts arrives from WBHE on Blu-ray and Digital starting October 13, 2020.

Anchoring the compilation of shorts is Batman: Death in the Family, WBHE’s first-ever venture into interactive storytelling that allows fans to choose where the story goes through an innovative navigation guided by the viewer’s remote control. Central to the extended-length short is an adaptation of “Batman: A Death in the Family,” the 1988 landmark DC event where fans voted by telephone to determine the story’s ending.

Inspired by characters and stories from DC’s robust portfolio, the 2019-2020 series of shorts – which have been individually included on DC Universe Movies releases since Summer 2019 – include:

• Sgt. Rock
• Adam Strange
• Death
• The Phantom Stranger

DC Showcase – Batman: Death in the Family will be available on Blu-ray (USA $24.98 SRP) and Digital (19.99 SRP). The Blu-ray features a Blu-ray disc with all of the shorts in hi-definition, including the fully-interactive, extended-length Batman: Death in the Family, plus a digital version of the four other 2019-2020 DC Showcase shorts. The Digital distribution features the Batman: Death in the Family extended-length short in a non-interactive format (pre-assembled version of the story, entitled Under the Red Hood: Reloaded), along with the other four 2019-2020 DC Showcase shorts, and three other non-interactive versions of the Batman: Death in the Family (entitled Jason Todd’s Rebellion, Robin’s Revenge and Red Hood’s Reckoning) as bonus features (Note: not all Digital retailers offer bonus features with purchase). The Blu-ray also offers approximately five minutes of additional content within the Batman: Death in the Family story that is not included in the Digital version.

Produced, directed and written by Brandon Vietti, Batman: Death in the Family offers an inventive take on the long-demanded story. In the new animated presentation, the infamous murder of Batman protégé Jason Todd will be undone, and the destinies of Batman, Robin and The Joker will play out in shocking new ways as viewers make multiple choices to control the story. And while Batman: Under the Red Hood provides a baseline, the story also branches in new directions and features several characters previously unseen in the original film. Bruce Greenwood (The Resident, Star Trek, iRobot), Vincent Martella (Phineas and Ferb) and John DiMaggio (Futurama, Adventure Time) reprise their Batman: Under The Red Hood roles of Batman, young Jason Todd and The Joker, respectively. Other featured voices are Zehra Fazal (Young Justice) as Talia al Ghul and Gary Cole (Veep) as Two-Face and James Gordon.

“Batman: Death in the Family is essentially a comic book come to life,” says Vietti, whose DC Universe Movies directing credits include Batman: Under the Red Hood and Superman: Doomsday, and he is co-creator and co-executive producer of the popular Young Justice animated television series. “We’ve paid homage to the 1988 interactive experience of DC’s ‘A Death in the Family’ comics release by giving fans a unique opportunity to craft their own story through a branching tool that can lead in multiple directions. The viewer gets to choose these characters’ paths, and each choice paves an alternate future for all of the characters and, ultimately, the story.”

The interactive Blu-ray presentation offers many different ways for viewers to tell the Batman: Death in the Family story, with numerous twists and turns in the middle, and several possible endings. The choices along the way put greater weight on the viewers’ decisions and result in even stronger stories. Viewers can also choose to allow the story to tell itself, as there is an option to let the Blu-ray decide its own path.

Packed with Easter Eggs, the centerpiece short’s story – with its foundation grounded in the original “Batman: A Death in the Family” comic run, and the acclaimed Batman: Under the Red Hood animated film – balances a number of integral themes within its entertainment, including fatherhood, mental health, death, rebirth, revenge and redemption. Along the route, viewers encounter new, surprising looks at some classic DC characters.

“From the very first navigation card, we wanted to give the audience an impression of what they’re getting into, but then also give them something unexpected – maybe even something they’ll regret, so they have to think twice about every future choice they make,” Vietti explains. “Branched storytelling has to be stronger than just the gimmick of the choices – it has to be rewarding and offer new and worthwhile insights into the characters. It needs to involve you, and keep you searching for the next twist. So we sought to subvert expectations and do something very different.”

Beyond Batman: Death in the Family, the additional four shorts on Blu-ray & Digital are:

Originally attached to Batman: Hush, Sgt. Rock is executive produced and directed by Bruce Timm (Batman: The Animated Series) from a script by award-winning comics writers Louise Simonson & Walter Simonson and Tim Sheridan (Superman: Man of Tomorrow, Reign of the Supermen). The original tale finds battle-weary Sgt. Rock thinking he has seen everything that World War II can dish out. But he is in for the surprise of his life when he is assigned to lead a company consisting of legendary monsters into battle against an unstoppable platoon of Nazi zombies. Karl Urban (Star Trek & Lord of the Rings film franchises) provides the voice of Sgt. Rock. Also voicing characters in Sgt. Rock are Keith Ferguson, William Salyers and Audrey Wasilewski.

Inspired by Neil Gaiman’s “The Sandman,” Death is produced & directed by Sam Liu (Superman: Red Son, The Death of Superman) and written by J.M. DeMatteis (Batman: Bad Blood). In the story, Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy … and eventual death. Leonard Nam (Westworld) provides the voice of Vincent, and Jamie Chung (The Gifted, Big Hero 6) is the voice of Death. The cast includes Darin De Paul, Keith Szarabajka and Kari Wahlgren. Death was originally included with Wonder Woman: Bloodlines.

Attached as a bonus feature on the release of Superman: Red Son, The Phantom Stranger has Bruce Timm (Batman: The Killing Joke) at the helm as executive producer & director, and the short is written by Ernie Altbacker (Justice League Dark: Apokolips War, Batman: Hush). Set in the 1970s, the short find the enigmatic DC mystery man simultaneously playing both omniscient narrator and active character in a story of supernatural comeuppance for evil doers. Peter Serafinowicz (The Tick) gives voice to The Phantom Stranger, and Michael Rosenbaum (Smallville, Impastor) provides the voice of Seth. The Phantom Stranger also features the voices of Natalie Lander, Grey Griffin and Roger Craig Smith.

Adam Strange is produced and directed by Butch Lukic (Superman: Man of Tomorrow), who also conceived the original story – which is written by J.M. DeMatteis (Deathstroke: Knights & Dragons, Constantine: City of Demons). The short was initially attached to Justice League Dark: Apokolips War. On a rugged asteroid mining colony, few of the toiling workers are aware that their town drunk was ever anything but an interplanetary derelict. But when the miners open a fissure into the home of a horde of deadly alien insects, his true identity is exposed. He is space adventurer Adam Strange, whose heroic backstory is played out in flashbacks as he struggles to save the very people who have scorned him for so long. Charlie Weber (How To Get Away with Murder) provides the voice of Adam Strange, alongside with Roger R. Cross, Kimberly Brooks, Ray Chase and Fred Tatasciore.

All five new DC Showcase shorts credits include Jim Krieg (Batman: Gotham by Gaslight) as co-producer and Amy McKenna (Wonder Woman: Bloodlines) as producer. Sam Register is executive producer.

Initially launched in 2010, DC Showcase was originally comprised of four animated shorts produced by Bruce Timm and directed by Joaquim Dos Santos: The Spectre (released on 2/23/2010), Jonah Hex (7/27/2010), Green Arrow (9/28/2010) and Superman/Shazam: The Return of Black Adam (11/9/2010). An additional short, Catwoman (10/18/2011), was attached the following year to the release of Batman: Year One, and was directed by Lauren Montgomery (Justice League: Crisis on Two Earths) and executive produced by Bruce Timm. Screenwriters on the initial quintet were Steve Niles (The Spectre), Joe Lansdale (Jonah Hex), Greg Weisman (Green Arrow), Michael Jelenic (Superman/Shazam: The Return of Black Adam) and Paul Dini (Catwoman).

“Interactive storytelling offers an entirely new dimension of entertainment for DC animated movie fans, and an exciting look into potential titles for the future,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Senior Vice President, Originals, Animation and Family Marketing. “Brandon Vietti has crafted a uniquely involving, multi-tiered approach to captivating the audience with both popular story devices and some very unexpected plot twists.”

DC Showcase – Batman: Death in the Family Special Features – Blu-ray

• Audio Commentaries – Commentary tracks on Sgt. Rock, Adam Strange, Death and The Phantom Stranger, plus one of the linear “Death in the Family” shorts (Under the Red Hood: Reloaded), by DC Daily hosts Amy Dallen and Hector Navarro.

DC Showcase – Batman: Death in the Family Special Features – Digital

• Three non-interactive versions of the Batman: Death in the Family – entitled Jason Todd’s Rebellion, Robin’s Revenge and Red Hood’s Reckoning. (Note: not all Digital retailers offer bonus features with purchase).

DC Showcase – Batman: Death in the Family will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all their eligible movies by connecting their Movies Anywhere account with their participating digital retailer accounts.

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Next week’s season finale of Doom Patrol will reunite the entire team as they head out to a carnival to help The Chief (Timothy Dalton) and Dorothy Spinner (Abigail Shapiro) take down the increasingly dangerous Candlemaker (Lex Lang), who has his sights set on the young heroine. 

As previously reported, filming was unable to be completed on the season finale, so next week’s episode will serve as a early ending for season two. Unfortunately, this means the episode will end on a massive cliffhanger, so it may be a while before we get some real resolution on its events, depending on if/when HBO Max or the DC Universe renews the critically acclaimed series for a third season. 
 

 

209 “Wax Patrol”

Before they can save the world from The Candlemaker, the Doom Patrol must first confront their childhood imaginary friends. Meanwhile, Jane reflects on the first time that Miranda became primary, and Dorothy must make a fateful choice.

DC’s strangest group of heroes — Cliff Steele aka Robotman (Brendan Fraser), Larry Trainor aka Negative Man (Matt Bomer), Rita Farr aka Elasti-Woman (April Bowlby), Jane aka Crazy Jane (Diane Guerrero), and Victor Stone aka Cyborg (Joivan Wade) — are back again to save the world. That is, if they can find a way to grow up…both figuratively and literally. Following the defeat of Mr. Nobody, the members of the Doom Patrol now find themselves mini-sized and stranded on Cliff’s toy race car track. Here they begin to deal with their feelings of betrayal by Niles Caulder aka The Chief (Timothy Dalton), while confronting their own personal baggage. And as each member faces the challenge of growing beyond their own past traumatic experiences, they must come together to embrace and protect the newest member of the family: Dorothy Spinner (Abigail Shapiro), Niles’ daughter, whose powers remain a mysterious but real threat to bringing on the end of the world.

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