BATMAN: DEATH IN THE FAMILY Interactive Movie Blu-ray Details & Special Features Revealed

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Warner Bros. Home Entertainment has officially announced that their upcoming DC Showcase, Batman: Death in the Family, will arrive on Blu-ray, DVD and Digital HD on October 13.

Batman: Death in the Family will be the first interactive film in WBHE’s entire history of animated films and will be just one of five tales to be included on the set. The others are the previously released Sgt. Rock, Adam Strange, Death, and The Phantom Stranger.

In addition to the fully-interactive, extended-length Batman: Death in the Family film, the digital release will also include the film in a non-interactive format, essentially a pre-assembled standard version of the film, titled Under the Red Hood: Reloaded which will likely be the most accurate retelling of the story.

Three other non-interactive versions of the film – Jason Todd’s Rebellion, Robin’s Revenge and Red Hood’s Reckoning – will also be included as bonus features, giving you the story as you’ve never seen it before. The Blu-ray will also contain five minutes of exclusive story content that won’t be available on the Digital release.


 

INTERACTIVE STORYTELLING ALLOWS VIEWERS
TO CHOOSE & CHANGE DIRECTIONS OF THE STORY
IN RETELLING OF LANDMARK DC COMICS EVENT

DC SHOWCASE
BATMAN: DEATH IN THE FAMILY

WARNER BROS. HOME ENTERTAINMENT AND DC PRESENT
COMPILATION OF 2019-2020 ANIMATED SHORTS
COMING OCTOBER 13, 2020 TO BLU-RAY™ & DIGITAL

NEW COLLECTION INCLUDES ACCLAIMED TITLES SGT. ROCK,
ADAM STRANGE, DEATH and THE PHANTOM STRANGER

BURBANK, CA (July 30, 2020) – Five fascinating tales from the iconic DC canon, including the first interactive film presentation in Warner Bros. Home Entertainment (WBHE) history, come to animated life in DC Showcase – Batman: Death in the Family. Produced by Warner Bros. Animation and DC, the anthology of 2019-2020 animated shorts arrives from WBHE on Blu-ray and Digital starting October 13, 2020.

Anchoring the compilation of shorts is Batman: Death in the Family, WBHE’s first-ever venture into interactive storytelling that allows fans to choose where the story goes through an innovative navigation guided by the viewer’s remote control. Central to the extended-length short is an adaptation of “Batman: A Death in the Family,” the 1988 landmark DC event where fans voted by telephone to determine the story’s ending.

Inspired by characters and stories from DC’s robust portfolio, the 2019-2020 series of shorts – which have been individually included on DC Universe Movies releases since Summer 2019 – include:

  • Sgt. Rock
  • Adam Strange
  • Death
  • The Phantom Stranger

DC Showcase – Batman: Death in the Family will be available on Blu-ray (USA $24.98 SRP) and Digital (19.99 SRP). The Blu-ray features a Blu-ray disc with all of the shorts in hi-definition, including the fully-interactive, extended-length Batman: Death in the Family, plus a digital version of the four other 2019-2020 DC Showcase shorts. The Digital distribution features the Batman: Death in the Family extended-length short in a non-interactive format (pre-assembled version of the story, entitled Under the Red Hood: Reloaded), along with the other four 2019-2020 DC Showcase shorts, and three other non-interactive versions of the Batman: Death in the Family (entitled Jason Todd’s Rebellion, Robin’s Revenge and Red Hood’s Reckoning) as bonus features (Note: not all Digital retailers offer bonus features with purchase). The Blu-ray also offers approximately five minutes of additional content within the Batman: Death in the Family story that is not included in the Digital version.

Produced, directed and written by Brandon Vietti, Batman: Death in the Family offers an inventive take on the long-demanded story. In the new animated presentation, the infamous murder of Batman protégé Jason Todd will be undone, and the destinies of Batman, Robin and The Joker will play out in shocking new ways as viewers make multiple choices to control the story. And while Batman: Under the Red Hood provides a baseline, the story also branches in new directions and features several characters previously unseen in the original film. Bruce Greenwood (The Resident, Star Trek, iRobot), Vincent Martella (Phineas and Ferb) and John DiMaggio (Futurama, Adventure Time) reprise their Batman: Under The Red Hood roles of Batman, young Jason Todd and The Joker, respectively. Other featured voices are Zehra Fazal (Young Justice) as Talia al Ghul and Gary Cole (Veep) as Two-Face and James Gordon.

Batman: Death in the Family is essentially a comic book come to life,” says Vietti, whose DC Universe Movies directing credits include Batman: Under the Red Hood and Superman: Doomsday, and he is co-creator and co-executive producer of the popular Young Justice animated television series. “We’ve paid homage to the 1988 interactive experience of DC’s ‘A Death in the Family’ comics release by giving fans a unique opportunity to craft their own story through a branching tool that can lead in multiple directions. The viewer gets to choose these characters’ paths, and each choice paves an alternate future for all of the characters and, ultimately, the story.”

The interactive Blu-ray presentation offers many different ways for viewers to tell the Batman: Death in the Family story, with numerous twists and turns in the middle, and several possible endings. The choices along the way put greater weight on the viewers’ decisions and result in even stronger stories. Viewers can also choose to allow the story to tell itself, as there is an option to let the Blu-ray decide its own path.

Packed with Easter Eggs, the centerpiece short’s story – with its foundation grounded in the original “Batman: A Death in the Family” comic run, and the acclaimed Batman: Under the Red Hood animated film – balances a number of integral themes within its entertainment, including fatherhood, mental health, death, rebirth, revenge and redemption. Along the route, viewers encounter new, surprising looks at some classic DC characters.

“From the very first navigation card, we wanted to give the audience an impression of what they’re getting into, but then also give them something unexpected – maybe even something they’ll regret, so they have to think twice about every future choice they make,” Vietti explains. “Branched storytelling has to be stronger than just the gimmick of the choices – it has to be rewarding and offer new and worthwhile insights into the characters. It needs to involve you, and keep you searching for the next twist. So we sought to subvert expectations and do something very different.”

Beyond Batman: Death in the Family, the additional four shorts on Blu-ray & Digital are:

Originally attached to Batman: Hush, Sgt. Rock is executive produced and directed by Bruce Timm (Batman: The Animated Series) from a script by award-winning comics writers Louise Simonson & Walter Simonson and Tim Sheridan (Superman: Man of Tomorrow, Reign of the Supermen). The original tale finds battle-weary Sgt. Rock thinking he has seen everything that World War II can dish out. But he is in for the surprise of his life when he is assigned to lead a company consisting of legendary monsters into battle against an unstoppable platoon of Nazi zombies. Karl Urban (Star Trek & Lord of the Rings film franchises) provides the voice of Sgt. Rock. Also voicing characters in Sgt. Rock are Keith Ferguson, William Salyers and Audrey Wasilewski.

Inspired by Neil Gaiman’s “The Sandman,” Death is produced & directed by Sam Liu (Superman: Red Son, The Death of Superman) and written by J.M. DeMatteis (Batman: Bad Blood). In the story, Vincent, an artist with unresolved inner demons, meets a mysterious girl who helps him come to terms with his creative legacy … and eventual death. Leonard Nam (Westworld) provides the voice of Vincent, and Jamie Chung (The Gifted, Big Hero 6) is the voice of Death. The cast includes Darin De Paul, Keith Szarabajka and Kari Wahlgren. Death was originally included with Wonder Woman: Bloodlines.

Attached as a bonus feature on the release of Superman: Red Son, The Phantom Stranger has Bruce Timm (Batman: The Killing Joke) at the helm as executive producer & director, and the short is written by Ernie Altbacker (Justice League Dark: Apokolips War, Batman: Hush). Set in the 1970s, the short find the enigmatic DC mystery man simultaneously playing both omniscient narrator and active character in a story of supernatural comeuppance for evil doers. Peter Serafinowicz (The Tick) gives voice to The Phantom Stranger, and Michael Rosenbaum (Smallville, Impastor) provides the voice of Seth. The Phantom Stranger also features the voices of Natalie Lander, Grey Griffin and Roger Craig Smith.

Adam Strange is produced and directed by Butch Lukic (Superman: Man of Tomorrow), who also conceived the original story – which is written by J.M. DeMatteis (Deathstroke: Knights & Dragons, Constantine: City of Demons). The short was initially attached to Justice League Dark: Apokolips War. On a rugged asteroid mining colony, few of the toiling workers are aware that their town drunk was ever anything but an interplanetary derelict. But when the miners open a fissure into the home of a horde of deadly alien insects, his true identity is exposed. He is space adventurer Adam Strange, whose heroic backstory is played out in flashbacks as he struggles to save the very people who have scorned him for so long. Charlie Weber (How To Get Away with Murder) provides the voice of Adam Strange, alongside with Roger R. Cross, Kimberly Brooks, Ray Chase and Fred Tatasciore.

All five new DC Showcase shorts credits include Jim Krieg (Batman: Gotham by Gaslight) as co-producer and Amy McKenna (Wonder Woman: Bloodlines) as producer. Sam Register is executive producer.

Initially launched in 2010, DC Showcase was originally comprised of four animated shorts produced by Bruce Timm and directed by Joaquim Dos Santos: The Spectre (released on 2/23/2010), Jonah Hex (7/27/2010), Green Arrow (9/28/2010) and Superman/Shazam: The Return of Black Adam (11/9/2010). An additional short, Catwoman (10/18/2011), was attached the following year to the release of Batman: Year One, and was directed by Lauren Montgomery (Justice League: Crisis on Two Earths) and executive produced by Bruce Timm. Screenwriters on the initial quintet were Steve Niles (The Spectre), Joe Lansdale (Jonah Hex), Greg Weisman (Green Arrow), Michael Jelenic (Superman/Shazam: The Return of Black Adam) and Paul Dini (Catwoman).

“Interactive storytelling offers an entirely new dimension of entertainment for DC animated movie fans, and an exciting look into potential titles for the future,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Senior Vice President, Originals, Animation and Family Marketing. “Brandon Vietti has crafted a uniquely involving, multi-tiered approach to captivating the audience with both popular story devices and some very unexpected plot twists.”

DC Showcase – Batman: Death in the Family Special Features – Blu-ray

  • Audio Commentaries – Commentary tracks on Sgt. Rock, Adam Strange, Death and The Phantom Stranger, plus one of the linear “Death in the Family” shorts (Under the Red Hood: Reloaded), by DC Daily hosts Amy Dallen and Hector Navarro.

DC Showcase – Batman: Death in the Family Special Features – Digital

  • Three non-interactive versions of the Batman: Death in the Family – entitled Jason Todd’s Rebellion, Robin’s Revenge and Red Hood’s Reckoning. (Note: not all Digital retailers offer bonus features with purchase).

DC Showcase – Batman: Death in the Family will also be available on Movies Anywhere. Using the free Movies Anywhere app and website, consumers can access all their eligible movies by connecting their Movies Anywhere account with their participating digital retailer accounts.


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The DOOM PATROL Assemble In New Photos From The Season 2 Finale: “Wax Patrol”

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Next week’s season finale of Doom Patrol will reunite the entire team as they head out to a carnival to help The Chief (Timothy Dalton) and Dorothy Spinner (Abigail Shapiro) take down the increasingly dangerous Candlemaker (Lex Lang), who has his sights set on the young heroine. 

As previously reported, filming was unable to be completed on the season finale, so next week’s episode will serve as a early ending for season two. Unfortunately, this means the episode will end on a massive cliffhanger, so it may be a while before we get some real resolution on its events, depending on if/when HBO Max or the DC Universe renews the critically acclaimed series for a third season. 
 

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209 “Wax Patrol”

Before they can save the world from The Candlemaker, the Doom Patrol must first confront their childhood imaginary friends. Meanwhile, Jane reflects on the first time that Miranda became primary, and Dorothy must make a fateful choice.


 

DC’s strangest group of heroes — Cliff Steele aka Robotman (Brendan Fraser), Larry Trainor aka Negative Man (Matt Bomer), Rita Farr aka Elasti-Woman (April Bowlby), Jane aka Crazy Jane (Diane Guerrero), and Victor Stone aka Cyborg (Joivan Wade) — are back again to save the world. That is, if they can find a way to grow up…both figuratively and literally. Following the defeat of Mr. Nobody, the members of the Doom Patrol now find themselves mini-sized and stranded on Cliff’s toy race car track. Here they begin to deal with their feelings of betrayal by Niles Caulder aka The Chief (Timothy Dalton), while confronting their own personal baggage. And as each member faces the challenge of growing beyond their own past traumatic experiences, they must come together to embrace and protect the newest member of the family: Dorothy Spinner (Abigail Shapiro), Niles’ daughter, whose powers remain a mysterious but real threat to bringing on the end of the world.


Doom Patrol features:
Timothy Dalton as Niles Caulder/The Chief
Brendan Fraser as Cliff Steele/Robotman
Matt Bomer as Larry Trainor/Negative Man
April Bowlby as Rita Farr/Elasti-Woman
Joivan Wade as Victor Stone/Cyborg
Diane Guerrero as Kay Challis/Crazy Jane
Phil Morris as Silas Stone
Alan Tudyk as Eric Morden/Mr. Nobody

Doom Patrol returns August 6
 

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Megatrax Will Exclusively Represent WIZZFX to Provide Its Custom Imaging Services to Radio Stations and Groups Across the USA, Canada & Latin America

LOS ANGELES–(BUSINESS WIRE)–Megatrax Production Music has announced it will exclusively represent WIZZFX – a new

The post Megatrax Will Exclusively Represent WIZZFX to Provide Its Custom Imaging Services to Radio Stations and Groups Across the USA, Canada & Latin America appeared first on Comic Crusaders.

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MISSION: IMPOSSIBLE Director Chris McQuarrie Also Attached To Tom Cruise/Doug Liman’s Upcoming Space Movie

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After it was reported last week that Univeral Pictures had won the rights to distribute Tom Cruise’s next film, a high-profile and extremely ambitious actioner that is on track to make cinematic history by becoming the first full-length narrative feature to be shot predominantly in space, Deadline has learned new details on how the earth-shattering deal actually came to be and it sounds like talks were much simpler than we might’ve imagined.

According to their sources, Universal agreed to finance the film, with its estimated $200 million production budget, after a lengthy and highly enthusiastic Zoom conference call with 3x Academy Award-nominated star/producer Tom Cruise (Mission: Impossible 7; Top Gun: Maverick) and director/writer Doug Liman (Edge of Tomorrow; American Made) as well as producers Christopher McQuarrie (Mission: Impossible 7; Mission: Impossible 8) and PJ van Sandwijk (Thirteen Lives; Citizen K).

In addition to serving as a producer alongside Crusie, Liman and Van Sandwijk, McQuarrie will also have a ground control role as story advisor. While unconfirmed, and if history is any indicator, it also seems quite probable that he’ll contribute to the film’s mysterious script once Liman has completed his initial draft, which he’s currently in the midst of writing. 

NASA and SpaceX will also be involved, with the former setting the stage for the production aboard the International Space Station and the latter providing the transportation.

While Cruise does still have two Mission: Impossible sequels, due out in 2021 and 2022, to finish filming before he can evem think about leaving the planet, this untitled space film is inching closer and closer to becoming a reality by the day and it seems increasingly likely that it’ll be the first film he tackles right after wrapping Mission: Impossible 8 sometime next year. 

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SCOOB! Makes A Strong Debut On The DEG’s Watched At Home Top 20 While TROLLS WORLD TOUR Retains Top Spot

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As many major theater chains remain closed indefinitely with no major domestic releases on the horizon, DEG: The Digital Entertainment Group introduced the “Watched at Home Top 20” list earlier this year, which tallies up the most popular titles consumed on disc and digital (excluding outside subscription-based streaming platforms). 

For the fourth consecutive week, Universal’s Trolls World Tour retained its position on top of the weekly list, continuing its surprisingly strong showing on home video after forgoing a traditional theatrical release earlier this year. However, unlike previous weeks, there was some change in the top five this week as Warner Bros.’ Scoob! debuted at #2, following its recent launch on 4K Ultra HD and Blu-ray. All three seasons of Paramount’s Yellowstone rounded out the rest of the top five. 

Screen Media Films’ The Outpost fell to sixth while Paramount’s Sonic the Hedgehog dipped to seventh, Universal’s The Invisible Man in eighth, Sony’s Jumanji: The Next Level in ninth, and another new entrant in tenth with Universal’s The High Note.

For the week of July 30, here is the ‘Watched at Home Top 20’ list:

  1. Trolls World Tour (DreamWorks/Universal)
  2. Scoob! (WB)
  3. Yellowstone: SSN 1 (Paramount)
  4. Yellowstone: SSN 3 (Paramount)
  5. Yellowstone: SSN 2 (Paramount)
  6. The Outpost (Screen Media Films)
  7. Sonic the Hedgehog (Paramount)
  8. The Invisible Man (Universal, 2020)
  9. Jumanji: The Next Level (Sony)
  10. The High Note (Universal)
  11. Force of Nature (Lionsgate, 2020)
  12. Bad Boys for Life (Sony)
  13. Bloodshot (Sony, 2020)
  14. Batman Beyond: S 1-3 (WB)
  15. Harry Potter (WB, Complete 8-film Coll.)
  16. Birds of Prey: Harley Quinn (WB)
  17. The Hunt (Universal, 2020)
  18. Capone (Lionsgate, 2020)
  19. Fantasy Island (Sony, 2020)
  20. Archive (Vertical, 2020)

Source | DEG: The Digital Entertainment Group
Includes U.S. Digital Sales, Digital Rentals (VOD), DVD & Blu-ray for week ended 7.25.20

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X-MEN: 10 Of The Best Things 20th Century Fox Did With The Marvel Franchise

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Launched in 2000 with X-Men, 20th Century Fox’s “X-Men Universe” was far from perfect, but it delivered moments that many fans still love to this day. Thanks to Dark Phoenix, things ended with a whimper rather than a bang, while The New Mutants‘ constant delays (both from Fox and Disney) have become a subject of ridicule for many. 

Still, with Marvel Studios looking to now reboot the franchise, there are some things we can look back at and actually be grateful for. Whether it’s specific scenes, certain creative decisions, or unforgettable action sequences, the X-Men movies and their respective spinoffs, aren’t all bad.

Yesterday, we looked at what didn’t work in this shared universe, but this feature celebrates what did. With that in mind, those of you who are fans of this world will find plenty to discuss here.

To check out the moments we’ve zeroed in on, simply click on the “Next” button down below!
 

10. Hank McCoy’s Transformation Into Beast

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While the finished version of Beast didn’t look all that great in X-Men: First Class (likely because production was a little rushed in order to meet its release date), the scene which saw Nicholas Hoult’s Hank McCoy transform into this blue haired beast was shot perfectly by Matthew Vaughn.

It’s a pivotal moment for the character in the comic books, and the filmmaker definitely did it justice in live-action. Hank’s panic as he begins to transform comes across effortlessly thanks to Nicholas Hoult, while the special effects were extremely effective in showing how his feet and hands are drastically altered as a result of his serum.

There’s a werewolf/Jekyll & Hyde quality about it which, while not exactly subtle, does stick with you, making it even more effective. It’s just a shame he was able to transform back and forth as soon as Bryan Singer returned to the franchise, a disastrous, idiotic decision by the director.
 

9. Wolverine Gets A Costume (In A Deleted Scene)

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This ended up being only a deleted scene on The Wolverine Blu-ray, and what a shame that it was neither included in the final cut of that movie or used in some way in X-Men: Days of Future Past. Regardless, it was still an incredibly cool moment which left fans massively excited. 

The X-Men movies have always been lacking in costumes which resemble what these mutant heroes and villains wear in the comic books, but it’s the lack of Wolverine’s iconic suit which has always been the biggest disappointment. Many have said it just wouldn’t work in live-action, but what you see above is a near perfect take on it which would have looked mind-blowing.

Sadly, Hugh Jackman never did “suit up,” so our hopes now lie with Marvel Studios’ reboot. 
 

8. Iceman, Finally

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Brett Ratner’s X-Men: The Last Stand was a terrible movie, but despite its many faults, it did have some redeeming moments which delivered some fan-pleasing scenes and moments.

Take for example, Iceman. He had been a main character in the first two movies, but his powers were never portrayed like in the comic books. In fact, his ability to shoot ice from his fingertips always looked pretty unimpressive, so you have to hand it to Ratner for having him fully ice up when he clashed with Pyro in that messy, though undeniably action-packed, final battle. 

Visuals like these are what we should have seen in the X-Men Universe since day one, and while this certainly didn’t save this mostly terrible movie, it did finally do this character justice. 
 

7. Ryan Reynolds’ Deadpool

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Somewhere along the line, Ryan Reynolds became a fan favourite choice for the role of Wade Wilson/Deadpool, with even his comic book counterpart pointing out that the actor should play him in a movie. Thankfully, made this a reality in the dreadful X-Men Origins: Wolverine, though the character was completely butchered and the way things ended for him was unbelievable.

Weapon XI aside, though, and the actor would later get the opportunity to play a comic accurate take on the Merc with the Mouth in two solo Deadpool movies. Those broke box office records and the franchise remains one of the best things Fox ever did with the rights to these iconic characters. It’s just crazy that it took someone leaking the footage to finally make Deadpool a reality.

Now, we just have to hope Reynolds gets to reprise the role in the Marvel Cinematic Universe…
 

6. Magneto’s Powerful Origin Story

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Deciding to provide some background for Magneto’s motivations in X-Men was a smart idea, as was the decision to then show him perhaps becoming what he hated most as the movies went on. Revealing that he was a concentration camp survivor didn’t necessarily make the villain more sympathetic or relatable, but it did at least make him more than a one dimensional bad guy.

It was also a powerful way of opening X-Men, and helped to set the tone for what comic book movies could be moving forwards. Matthew Vaughn’s decision to expand on this even further in X-Men: First Class was smart, and made Michael Fassbender’s take on the character even more interesting as he set out to take revenge on those who had wronged him in the past.

Whatever Marvel Studios does with Magneto, it will definitely be difficult to top what we saw here.
 

5. Nightcrawler’s Attack On The White House

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What a way to open a movie! Nightcrawler is a fan-favourite character, and this sequence definitely did him justice. Beautifully constructed, it saw the teleporter “BAMF!” his way through The White House, taking down everyone in his path with very little effort thanks to his unique power set.

This also went a long way in setting the tone for the sequel, making it clear that it would be bigger and better than the movie before it. In some respects, this scene is a big part of why X2: X-Men United is still considered to be one of the better comic book adaptations from this period, and it’s a shame the hero’s return in the “prequels” wasn’t quite so memorable or inspired. 

From a purely technological standpoint, this sequence also stands out as being a huge win for Fox.
 

4. Past Meets Future

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This happening immediately after X-Men: First Class rebooted the franchise was a huge mistake, and there’s a lot X-Men: Days of Future Past got wrong (including the appearance of the Sentinels). 

However, seeing the younger cast cross paths with their future selves was fantastic, and that scene with James McAvoy and Sir Patrick Stewart was unforgettable. Hugh Jackman’s trip back in time also proved to be a highlight, and it’s easy to see why so many fans love this 2014 release. 

Ultimately, it made a few too many mistakes to be considered a classic, and it would have been great seeing what Matthew Vaughn would have done with this movie had he remained in charge. 
 

3. Meet Magneto

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X-Men: First Class was very much Magneto’s story, and ultimately delivered his transformation into the villain we all know from the comic books and previous films (in which the character was played by Sir Ian McKellen) perfectly. Henry Jackman’s score accompanied this scene very nicely, and Michael Fassbender’s delivery of the “I prefer…Magneto” line was simply brilliant.

With Bryan Singer back in charge, Magneto lost this comic accurate costume based on the version from Stan Lee and Jack Kirby’s comic books, and seeing him battling the X-Men in this outfit would have been a treat for fans. Regardless, Fassbender established himself as the best Magneto in this movie, even if what followed saw him become a little less memorable. 

Honestly, it would be no bad thing if he got the call to reprise the role from Marvel Studios!
 

2. Casting Hugh Jackman As Wolverine

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Whereas Ryan Reynolds as Deadpool was an expected bit of casting which worked out just as well as everyone hoped, Hugh Jackman was far more unexpected, and it’s not unfair to say that no one could have ever imagined just how great the Australian actor would end up being in the role.

Though some fans have been quick to point out that he’s much taller than the comic book version of the character, Jackman still managed to prove himself a damn near perfect Wolverine. 

We found fault with Logan in our previous X-Men feature, but many loved it as a farewell for his iteration of the clawed mutant, and the actor certainly went out on a high. There are definitely moments which could and should have been better, but for the most part, this was a fantastic run. 
 

1. How Charles Xavier Lost The Use Of His Legs

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This was perhaps the most powerful moment in the entire X-Men franchise, and one which also answered a question that many fans had long wondered; how exactly did Charles Xavier lose the use of his legs? As it turns out, it was actually Magneto’s fault and both James McAvoy and Michael Fassbender played this scene perfectly as their friendship dissolved in front of our eyes.

This set both men on separate paths, and the formation of both the X-Men and Brotherhood of Evil Mutants follows. The moment in which Charles realises he can’t feel his legs is also heartbreaking, and filmmaker Matthew Vaughn really brought a lot of their dynamic with this scene. 

What followed wasn’t quite as good, of course, but this remains a perfect moment in a movie that helped establish a new status quo for these characters…until Bryan Singer returned, of course. 
 

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