Last week, a video from the set of James Gunn’s The Suicide Squad gave us a blurry glimpse of several Task Force X members rushing past a group of civilians to face-off against an unknown foe, and now thanks to Just Jared we have a much better look at the individuals involved in that scene.

BIRDS OF PREY Spoilers – Breaking Down All The Biggest Reveals & Most Fantabulous Moments

The photos feature Harley Quinn (Margot Robbie), Ratcatcher (Daniela Melchior), Polka-Dot Man (David Dastmalchian), and Idris Elba’s character, who is believed to be Vigilante. Steve Agee can also be seen wearing the mo-cap gear that’ll be used to transform him into King Shark!

Check out the pics at the link below, and see if you can spot any other characters.

More photos from the set of #TheSuicideSquad are rolling in – see Margot Robbie, Idris Elba in character, and the first glimpse of Polka-Dot Man! https://t.co/eizfY4rN1k

— JustJared.com (@JustJared) February 19, 2020

Do you think the GOTG director will manage to improve in the the highly divisive (well, panned would be more accurate) first film? You can find out where that placed on our ranking of the previous DC Films Universe installments below.

Simply click on the next button below!

Aquaman

You probably weren’t expecting to see this at the bottom of the list! I’m completely aware that I’m in the minority here, but James Wan’s hokey farce of an Aquaman movie did nothing for me at all.

Arthur Curry’s first solo film almost falls over itself in an attempt to change the perception that the DCEU was too “dark and depressing.” Wan’s movie is bright, colorful (garish, really), and tries to inject a sense of fun and old-fashioned adventure into pretty much every scene. Unfortunately, it forgets to include little things like compelling characters and an engaging story along the way.

The script is perfunctory, the performances range from passable to outright egregious (seriously, where did they find the kid that played teenage Arthur?), and almost every line of dialogue is either exposition, an eye-rolling cliche or some brotastic, juvenile one-liner.

I did laugh several times during this movie, but it definitely wasn’t at any of the “jokes.”

On the plus side, Aquaman does feature some stunning visuals and brilliantly creative creature designs, all of which come together for a pretty damn bonkers finale – though by that stage I was on my second watch check.

Suicide Squad

I actually enjoyed David Ayer’s Suicide Squad to an extent, but considering the movie we got was nowhere near as good as its awesome trailers promised, it has to be considered a major disappointment.

The film begins well enough, but as it goes on it just gets messier and messier until it pretty much loses all sense of cohesiveness. Add baffling character choices, bizarre need drops, and a pair of laughable villains to the mix and it’s not hard to see why so many fans and critics dismissed it entirely.

And yet, Suicide Squad does have its moments. Some individual scenes work very well (Batman’s face-off with Deadshot, for example) and the cast is mostly on form, with Margot Robbie, Will Smith and Viola Davis, in particular, putting in great performances.

Not a complete washout, but man this should have been so much more.

Justice League

Like a lot of its fellow DCEU entries, I believe Justice League gets a bit of a bad rap and is a far more entertaining movie than many give it credit for. That said, there’s no denying that the first big-screen team-up of DC’s best and brightest should have been a lot better.

What went wrong? It’s probably quicker to list off what didn’t, but it’s clear that Zack Snyder being replaced by Joss Whedon had a major impact on the finished product. Would it have been a better movie if one or the other had been able to direct the whole thing? We’ll probably never know (the “Snyder Cut” is possible, but unlikely), but it certainly would have been a more tonally consistent one.

As it stands, Justice League is loud, brash, campy, exciting, funny, and… kind of a mess. Most of the characters are well served, though, and there is fun to be had – it’s just a shame this wasn’t the cinematic event DC fans were hoping for.

Shazam!

Shazam! was envisioned as a more family-friendly DC movie with the focus placed on heart over grit, and in that respect, David F. Sandberg delivered. It’s endearing, funny and engaging (at least until it overstays its welcome), but it’s also overlong, a little too twee, and ultimately just not particularly memorable.

That said, it’s never less than entertaining thanks to a terrific cast, a genuinely warm and funny script (take note, Aquaman) and some exciting, if slightly iffy CGI-heavy, action sequences.

At the end of the day, Kids seemed to love Shazam!, and that’s really all that matters.

Batman V Superman: Dawn of Justice

It really wouldn’t be accurate to call the reviews for Batman V Superman: Dawn of Justice mixed, because the majority of critics hated the movie with a passion.

To be fair, Zack Snyder’s follow up to Man of Steel does have a lot of problems. It’s messy, disjointed, over-long by a good 20 minutes or so, and – most crucially for purists – offers radically different takes on the iconic DC heroes of its title. But despite all of this, I believe BVS is quite a bit better than its reputation would suggest.

I’m not one of these Snyder die-hards that thinks it’s some kind of misunderstood masterpiece, but I do believe many critics – and fans – chose to focus on what the movie did wrong while completely disregarding everything it did right.

The first big-screen meeting of DC’s Trinity was definitely not the cinematic event it could (or should) have been, and that “Martha” scene is probably destined to be ridiculed and misunderstood in equal measure for many years to come, but give it another watch some cold, rainy night and you might be surprised by how well it holds up.

Wonder Woman

For many, Wonder Woman will take the top spot here, and that’s completely understandable. Not only was it the first solo big screen outing for one of the most popular superheroes in history, but it was also the first female-led comic book movie from any major studio since Elektra back in 2005. Oh yes, there was also the small matter of a lot of people pinning their hopes on Patty Jenkins’ film to be the one that “saved” The DCEU.

While I wasn’t necessarily of the opinion that The DCEU needed saving, there’s no denying that Jenkins knocked it out of the park.

If you were of the belief that WB desperately needed to inject a bit more heart into The DCEU, then Wonder Woman must have been a breath of fresh air. It’s funny, engaging and action-packed, with a strong emotional core and a star-making turn from Gal Gadot. It does have some problems (the third act flounders a little and lays on the cheese), but overall, Jenkins’ old-school adventure served as a terrific setup for Diana’s cinematic future.

Birds of Prey

Birds of Prey better than Wonder Woman? There wasn’t much in it, but Cathy Yan’s bonkers girl-gang flick is simply more my cup of tea. The movie is currently struggling at the box office despite highly positive reviews, and that’s a real shame because BOP is an absolute blast.

If you’ve seen the trailers, you’ll have a pretty good idea how things play out. The film isn’t really concerned with clever twists or major surprises and the plot is very straightforward, even a little cliched. That’s not to say things ever get boring (one thing this movie definitely is not, is boring) or that there’s no creativity on display, and the cornucopia of colorful characters are more than enough to keep us engaged.

Sure, it’s a little uneven and maybe not quite as subversive as it’d like to be, but, for my money, The Fantabulous Emancipation of One Harley Quinn is still the most purely entertaining movie on this list.

Man of Steel

Just like many will scoff at Aquaman placing so low, Man of Steel coming in second (first if you don’t count Joker as a DCEU film) is bound to be a controversial choice. But, I honestly believe Zack Snyder’s Superman reboot remains one of the most underrated and underappreciated comic book movies of all time.

Highly divisive upon its release and panned by many critics, Snyder’s take on the iconic DC hero was widely criticized for being too “grimdark,” but look beyond the visual aesthetics and more somber tone (when compared to the Richard Donner movies, at least) and the brighter themes most closely associated with the character do shine through.

The movie also features some incredible action sequences, a career-best performance from Henry Cavill in the lead, and a stunning score from Hans Zimmer.

There are some problems, but, for the most part, Snyder succeeded in rebooting Superman for the modern era, and laid the groundwork for Warner Bros.’ shared DC movie universe. Granted, things didn’t quite work out moving forward – but Man of Steel was a stellar start.

Joker

Joker isn’t technically considered part of the DC Films Universe because of its standalone nature, but until Warner Bros. officially confirms that it won’t tie into its wider universe in any way, it earns a spot in this list. If you disagree that’s no prolem… simply count Man of Steel as #1!

All of the hullabaloo surrounding Joker in the buildup to its release proved to be totally unfounded, but the movie still remains a controversial and highly divisive film. While I certainly understand some of the criticism that has been leveled at it, I believe Todd Philips’ Joker is a stunning achievement overall and the best DC Comics adaptation WB has produced in the modern era. 

It is not an easy watch, there’s no doubt about that. If you’re looking for some comic book movie escapism this is not the movie for you. It’s violent, disturbing, and pretty much unrelentingly bleak. But it’s also a stunningly shot, haunting character piece with a mesmerizing score from Hildur Gudnadottir and a truly outstanding central performance.

It definitely won’t be for everyone and one could argue that Phillips does revel in nihilism to some extent, but at the end of the day this is an R-rated origin story for one of the most deranged, murderous villains in fiction, and the film reflects that. It may not make you feel good, but it will make you feel something, and sometimes that’s enough.

After a very public falling out, Sony Pictures and Disney finally made things right last year, and a deal is now in place to keep Spider-Man in the Marvel Cinematic Universe for at least one more solo movie and an appearance in a currently undisclosed Marvel Studios movie.

During a recent roundtable discussion, both Sony boss Tom Rothman and Disney’s Alan Horn were on hand to touch on what happened when it looked like Spidey was leaving the MCU. 

Take a look at some concept art featuring a deleted scene from
The Amazing Spider-Man by hitting the “Next” button below!

The Lizard chases Spider-Man through the streets of New York, making their existence very public in the process. 
 

This is a very cool take on the web-slinger’s costume and likely came before that controversial final design was settled on. 
 

An injured Spidey races after his prey, hopping over some iconic taxis in the process as he attempts to put Curt Connors down. 
 

With two superpowered beings battling on top of that iconic New York Sightseeing bus, you’d best believe accidents happen!
 

With the driver seemingly losing control of the vehicle, the fight between Spidey and his nemesis continues above. 
 

The police watch on as this happens but they’re pretty much powerless to stop the brutal battle that’s taking place here. 
 

As The Lizard gains the upper hand and holds on for dear life, he’s also forced to dodge bullets from Captain Stacy’s men. 
 

That driver has to be knocked out or something because he surely could have just stopped the vehicle and jumped out! 
 

An updated take on the wall-crawler’s classic costume definitely would have gone down better than that weird redesign. 
 

We told you that the bus would ultimately crash into an iconic location, right? This would have been amazing to see! 
 

As we mentioned at the top of this post, this would have been an expensive sequence to film as is evident from this shot. 
 

Technology in 2012 was good enough to bring most of it to life with VFX, though, and it would have made for exciting viewing. 
 

Spidey clearly would have thought The Lizard was done only for him to then burst out of the ice to attack the web-spinner. 
 

This artwork is actually from the movie’s final battle, as an unmasked Spider-Man battles The Lizard with George Stacy watching on.
 

With Curt Connors determined to transform New York’s citizens into monsters like him, Spidey leaps back into action. 
 

Here, we see the police undergo their own transformations, and this should have been much cooler than it ultimately was. 
 

The final battle certainly had its moments, but nothing that quite lived up to how impressive it looks in this piece of artwork. 
 

It was forced, but those cranes turning so that Spider-Man could swing through the streets of New York to reach The Lizard was cool!
 

It looks like new York was originally going to find itself facing a pandemic thanks to The Lizard leaking that gas everywhere. 
 

Many thanks to Josh Nizzi for the concept art featured throughout this post. Make sure to head on over to his website by clicking HERE to check out more of his spectacular work!

Last night was the World Premiere of new Pixar movie Onward, and during a red carpet interview, star Chris Pratt was asked about Guardians of the Galaxy Vol. 3. However, when the interviewer asked why Thor isn’t part of the movie, the actor was quick to point out that no one knows what the plan is now!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Work on Spider-Man 3 is expected to begin this summer, and during last night’s premiere of Disney and Pixar’s Onward, actor Tom Holland was inevitably asked about the web-slinger. So far, there’s not been anything overly revealing, but when he was asked who he’d choose to bring back from the dead in the Marvel Cinematic Universe, Holland offered a potentially controversial answer.

Presented with choices like Uncle Ben, Tony Stark, and, uh, Gwen Stacy (the hosts really don’t seem to be the brightest), Holland chose Iron Man because he’d like to work with Robert Downey Jr. again. Honestly, that’s fair enough, but the Reddit post below proves that some fans aren’t happy!

Variety, meanwhile, also caught up with the Spider-Man: Far From Home star, and asked who supported him during all the drama between Sony Pictures and Disney/Marvel Studios.

“You know, everyone was supportive. Absolutely everyone, but Chris [Pratt] and I was obviously standing backstage together before we were called out on stage [at D23 to promote Onwards] and I was telling him the news and he hadn’t heard it yet. He was like, ‘No that’s not gonna happen. They’re gonna figure it out and, if not, you’ll be great. You’ll be fine.'”

“It was just nice to have him in my corner because he’s someone I really look up to and appreciate,” the actor continued. “I’m glad we’re good buddies.”

Watch the video interviews below:

I’m a fan of Tom Holland (not so much of his Spider-Man) but honestly this Interview was really disappointing for every genuine Spider-Man fan. from r/marvelstudios

Tom Holland reveals how Chris Pratt supported him during the Sony and Marvel Spider-Man battle https://t.co/899vcKXOnw pic.twitter.com/X2rfK7cGjp

— Variety (@Variety) February 19, 2020

How can Spider-Man be in the MCU and SUMC at the same
time? Hit the “Next” button to see how we think it can work!

A One-Way Street Of Crossovers

Marvel Studios surely would have said goodbye to Spider-Man before letting the stories that Sony tells have an impact on the MCU. With that in mind, there’s no way the events of Morbius will be felt in The Falcon and The Winter Soldier, for example, and what we see in Venom 2 factoring into a movie like Guardians of the Galaxy Vol. 3…well, it’s not happening!

However, the imprisoned Adrian Toomes appearing in Morbius along with a poster branding Spidey a “Murderer” following Spider-Man: Far From Home‘s shocking ending proves that what happens during Peter Parker’s MCU adventures will be felt in the SUMC.

That could mean future crossovers will essentially be a one-way street. If Spider-Man’s name is cleared in his next solo movie, then Venom 3 wouldn’t feature Eddie Brock investigating the web-slinger, but if the Symbiote bonds with Peter and he goes on a rampage through New York City, it’s unlikely that we’d get more than a passing reference (if anything at all) in Spider-Man 4.
 

Move Eddie Brock To New York

Peter has a lot on his plate following the events of his last solo outing, and it’s not up to Venom 2 to address that. Spidey meeting Eddie Brock before his third movie is doubtful but if the symbiote’s sequel ends with the journalist moving to New York to look into the truth behind what happened to Mysterio, the stage is definitely set for a meeting in Venom 3! 

While fans are undeniably anxious to see Spider-Man get caught in the middle of Venom’s war with Carnage, rushing it is not the right move and another cool scenario would be Eddie finally embracing his “Lethal Protector” persona and heading to the Big Apple to make the man who killed the world’s greatest superhero pay for his crimes. 

Even if Peter manages to clear his name, this confrontation could take place before that and there’s really nothing to say that Venom would believe him, especially as the most likely outcome is that some of the world will believe Spider-Man is a hero, while others will be convinced by J. Jonah Jameson’s claims that he’s a “menace” (just like in the comic books). 
 

Set The Stage For The Sinister Six

At the end of Spider-Man: Homecoming, Adrian Toomes shrugged off Mac Gargan’s suggestions that they team-up to make the web-slinger pay, and he’s clearly still behind bars during the events of Morbius. 

That must be where he meets Dr. Michael Morbius and while his cameo might be completely pointless and only there to get fans interested in the way these worlds could collide somewhere down the line, there’s also a very good chance that it’s setting the stage for something much bigger. 

Sony started building toward a Sinister Six movie in The Amazing Spider-Man 2 and if that’s not something Kevin Feige wants to rush into in the hero’s solo franchise, then the studio could choose to pit Peter Parker against a ragtag team made up of villains like Venom, Morbius, The Vulture, Scorpion, and…well, we’ll have to wait and see. Still, it’s a concept that definitely has potential. 
 

The Same Spider-Man…But Different

Over the past few years, it’s felt like studios have decided that moviegoers are just plain dumb, hence why the Suicide Squad was pulled from Arrow when the movie was released and why we’re only just now getting a small screen Superman when it seems Henry Cavill’s time as the Man of Steel has reached its end. 

Things are beginning to change, though, and while Tom Holland can continue playing Spider-Man, why does it have to be the same Spider-Man? 

Yes, the SUMC movies can reference what happens in the MCU but, as we’ve mentioned, it doesn’t need to be a two way street. The Spidey in the SUMC could essentially be a totally different character who goes on his own adventures, while the MCU version continues calling the MCU home which ensures that he remains as popular as ever thanks to Marvel’s Studios’ superior storytelling.
 

Bring Him Into The Spider-Verse

Spider-Man: Into the Spider-Verse won an Oscar and is widely considered one of the best superhero movies of all-time. With that in mind, is it not about time that Tom Holland’s Peter Parker get to meet Miles Morales? 

That would ensure that the sequel is one which would generate a lot of buzz (not that it won’t already) and something you have to believe hardcore fans and regular moviegoers alike would kill to see. There would be zero need for Spidey to talk about his trip to another dimension when we next see him in the MCU but this would give Sony the chance to flesh their version out in a big way. 

There were rumblings that Sony wanted Holland in the first Spider-Verse movie but Marvel Studios said no. Things have changed now, though, and there are ways a crossover like this could enhance the studio’s larger plans. After all, who wouldn’t want to see Miles helping Peter fight Venom in a live-action setting in the not too distant future? 
 

An Unexpected Twist

Something fans couldn’t help but notice in the Morbius trailer is that Sony had used an image of Sam Raimi’s Spider-Man (lifted from the Spider-Man video game). Chances are that we’re meant to think it wasn’t just an artist’s interpretation of the hero, but it was still a dumb move and one you have to hope could end up changing in post-production given the way it’s been ridiculed. 

But what if there’s another reason for that Spider-Man costume being used in the movie? 

Many fans are convinced that there’s a chance Tobey Maguire will reprise the role of Peter Parker one day, and while that could get confusing with the likes of Adrian Toomes showing up, there’s a huge demand to see what became of Maguire’s Spidey in a world like this one. Then again, it could just be that Marvel Studios isn’t allowing Sony to use the costume they’ve designed…
 

Tell The Stories Marvel Can’t…Or Won’t

Marvel Studios has spent years proving that they’re expert storytellers and their track record shows how much better they are at that than Sony Pictures. However, as they’re intent on launching solo franchises for key heroes and villains, there are certain characters – like Venom – who are now off-limits to Marvel Studios that they either can’t, or would rather not, use. 

That puts Sony in a unique and potentially very exciting position. While Spidey can hang out with the Avengers in the MCU, he can’t fight Venom or cross paths with the Black Cat or Silver Sable! 

In the SUMC, though, Peter can get his hands on the symbiote and possibly even embark on a romantic relationship with Felicia Hardy, two very exciting possibilities. We’ve yet to see any truly bold storytelling from Sony but, who knows, the webbed warrior could become an animated character or even show up in an R-Rated adventure on the studio’s watch. 
 

Give Kevin Feige Some Creative Input

Marvel Studios President Kevin Feige is a busy man, especially now he’s creatively overseeing everything Marvel does (including comic books and TV shows). With the MCU rapidly expanding thanks to Disney+, those claims from Sony that Feige is too busy to work on the wall-crawler might not be all that far-fetched. 

However, it would be foolish of Sony to not consult with Feige when it comes to how Spidey is used in the SUMC and that would ensure some consistency and, hopefully, a relationship that benefits fans for many years to come. 

Letting Avi Arad and Matt Tolmach – the producers who drove Spidey into the ground with The Amazing Spider-Man franchise – have free reign with the hero would be a massive mistake and while then having creative input in inevitable, a working relationship with Feige might be the only way this ends up working in the long-term.
 

Put The Symbiote On Spider-Man

We’ve already talked about the different ways Spider-Man and Venom’s worlds could collide, but there’s one thing we need to see which you have to believe would get everyone on board with the SUMC.

It’s a crying shame that Peter Parker didn’t return from his trip into outer space in Avengers: Infinity War with the symbiote in tow but it’s not too late for him to bond with the alien. Sure, it would all play out a lot differently to the source material but by the time all is said and done, perhaps Venom would actually end up looking like his comic book counterpart, white chest symbol and all! 

Tom Holland and Tom Hardy are both keen to make this crossover happen and watching the former’s version of Peter come to terms with his “other” in a versus movie of some sort would be, well, amazing! 
 

Utilise The Idea Of A Multiverse

Into the Spider-Verse introduced the concept of a Multiverse long before Avengers: Endgame and Doctor Strange in the Multiverse of Madness, so why can’t the SUMC be another part of that? 

After meeting Miles Morales, perhaps Spidey will use his sense of responsibility to visit worlds that don’t have a Spider-Man (it’s feasible that Maguire’s web-slinger was also branded a killer and then taken out by the authorities) and his battles against Morbius and Venom could take place in those. 

Marvel Studios is clearly getting ready to delve into other universes thanks to the Sorcerer Supreme and making Spider-Man part of that concept definitely makes sense and helps ensure that his SUCM and MCU adventures don’t clash too much. The aforementioned suggestion of it being a different Spidey who is also played by Holland works with this point as well. 
 

Do you guys think Spider-Man being part of two shared worlds can work? Let us know your thoughts on that and what you read here in the comments section down below.